Browse Items (132 total)

  • Tags: GCCII

Yellowlees 1.jpg
Color transparency rendered as a Fresson print, 9½ x 14¼ in. This print is part of an elegant series in which each image of New Mexico’s Rancho de Taos church has its own palette based on the moment’s reflected light. As with Monet’s paintings of…

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Rubin 1.jpg
The most precious items in my collection of pop-up and movable books and ephemera are handmade. On rare occasions, paper engineers will construct a unique and personal pop-up for me.

In 2012, while on safari in Botswana, I found sheets of paper…

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Hoy.jpg
Albumen print from glass-plate negative, 13¾ x 10¾ in. The greatest of Victorian photographers and arguably of all nineteenth-century photo-portraitists, Julia Margaret Cameron is a model to women professionals. Given a camera at age forty-eight, she…

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Harrison.jpg
Chromogenic color print, no. 24/100, 9¼ x 11½ in. Candida Hӧfer’s “photographs are sober and restrained in feel—the atmosphere is disturbed by neither visitors nor users, especially as she forgoes any staging of the locations. The emptiness is imbued…

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Szmuk-Tanenbaum.jpg
Eight-color pigment-based archival print on Hahnemuhle paper, 46 x 20 in. No. 38/40.

There is not much point in collecting unless it is for pure enjoyment. I particularly enjoy whimsy, especially when rooted in wit. Phil Shaw’s Friction 2 fits the…

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