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                <text>[Alexander Hamilton, James Madison and John Jay].</text>
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                <text>The Federalist: A Collection of Essays, written in favour of the New Constitution, as agreed upon by the Federal Convention, September 17, 1787, 2 vols.</text>
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                <text>Printed and sold by J. and A. McLean</text>
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                <text>A thick paper copy, rarely seen.&#13;
&#13;
Provenance: Presented by James Madison to James Maury, a confidant and first consul of the United States.&#13;
&#13;
Madison, Hamilton and Jay agreed amongst themselves to write position papers supporting the proposed Constitution, at the same time deciding not to disclose authorship. As such, there are virtually no presentation copies of The Federalist, this example being one of two known. Even Washington's copy, now at Williams College, has no direct indication of presentation. &#13;
&#13;
My copy arrived in a particularly felicitous way. A bookseller called me and asked if I would be interested in volume one of The Federalist. I purchased it and asked about volume two, but he said it was not among the books he purchased. I suggested he speak with his seller, who told him that he donated a number of books he thought were of no value to a local thrift shop. Suffice it to say that my bookseller friend journeyed to the shop and found the volume.&#13;
&#13;
Such are the tales that attach themselves to some books, and which live on in booklore forever.</text>
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                <text>Michael Zinman</text>
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                <text>[Anonymous]. </text>
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                <text>The British Log Book; or, Yarns of the Ocean. </text>
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                <text>London: G. Mansell and J. Cleave, </text>
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                <text>[c. 1840]. </text>
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                <text>One 8-page part from the first edition plus 24 16-page parts from the second edition.&#13;
&#13;
This was an early purchase I made as I started to collect nautical fiction. A few years later I bought some disbound parts and noticed that they were eight-page parts, the subtitle was “Tales of the Ocean,” three of the parts were marked as “Volume II,” and the title of some parts was a woodcut rather than typeset.&#13;
&#13;
At this point I realized that I needed to learn more about nineteenth-century book printing and production practices. And each time I look at this book there‘s more to discover. A comparison of the first and second editions shows that the woodcut has been replaced. Cambridge University’s copy of the first edition of Volume II is made up of sixteen parts, while I own a disbound Part 17, leaving the question of completeness unanswered. The National Maritime Museum’s first edition is the only copy with a title page (London: Wakelin, 1838). Mansell was the printer and apparently reissued the series in the sixteen-page format shown here.&#13;
&#13;
The British Log Book has been a delight, and while obscure and of slight literary value, it is still full of questions about its printing and publication and an excellent example of the mutability of books issued in parts.</text>
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                <text>William P. Bryson</text>
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                <text>[Capt. Richard Collinson]. </text>
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                <text>Polar Almanac, for the Year of Our Lord 1854, being the Seventeenth Year of the Reign of Her Majesty Queen Victoria. Printed on Board of Her Majesty’s Ship Enterprise, in Camden Bay, Latitude 70º08' North, Longitude 145º29' West, </text>
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                <text>Camden Bay, [Alaska]: Henry Hester, </text>
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                <text>Provenance: Henry Hester’s copy, with his signature on the title page.&#13;
&#13;
The first book printed in Alaska, and one of only four known copies. This copy also has numerous pencil annotations, probably added at a later date by Henry Hester, the book’s printer. Hester must have taken great pride in his handiwork, as he had Jane, Lady Franklin and Queen Emma of Hawaii personally inscribe this copy. And a copy of the Almanac was lent to the Caxton Celebration in London in 1877 by Thomas Hester (perhaps this copy).&#13;
&#13;
My main collecting interest is first hand accounts of Arctic voyages, but Arctic printing has always held a fascination for me as well. The extreme conditions and limited resources early amateur printers faced must have obviously presented great challenges. I missed this copy over twenty years ago and was very happy to get a second chance to acquire it.</text>
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                <text>[Catherine II, Empress of Russia (1729–1796)].</text>
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                <text>Ея императорскаго величества Наказь коммиссии о сочинении проекта новаго уложения. Ihrer Kaiserlichen Majestät Instruction für die zu Verfertigung des Entwurfs zu einem neuen Gesetz-Buche verordnete Commission.</text>
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                <text>1767.</text>
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                <text>This preliminary version of the Nakaz (or Instruction) is interleaved with manuscript contemporary notes, possibly by a delegate to the Assembly that Catherine II convened in 1767 to discuss her draft law code. It is in a sumptuous full red morocco gold-tooled binding (probably of Baltic origin). The ex-libris initials on the title page await identification.&#13;
&#13;
Among the most important law books of the eighteenth century, the Nakaz was composed by Catherine herself, with advice from Voltaire, and influenced by the writings of Montesquieu and other Enlightenment thinkers; printed in numerous editions and languages, the text was disseminated throughout Europe and earned for Catherine the title “the Great.” My very first bibliophilic article was devoted to the Nakaz, published in The American Book Collector (1966) when I was still a law student. I have since published a collected edition of all the major language texts with a substantial scholarly apparatus and bibliography. See W. E. Butler and V. A. Tomsinov (eds.), The Nakaz of Catherine the Great: Collected Texts (2010).&#13;
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                <text>Provenance: Octavia Wilberforce's copy, with the bookplates of Lavington House and the Wilberforce Library, Backsettown.&#13;
&#13;
John Wilkes, an opposition member of Parliament in the 1760s, wrote The North Briton, published periodically in pamphlet form. Charged with seditious libel for North Briton No. 45, he fled to France in 1763, was convicted in absentia and outlawed.&#13;
&#13;
John Williams was likewise convicted at a 1764 trial before Lord Chief Justice Mansfield for publishing No. 45 in the second volume of this later collected edition. While he was punished in the pillory, 10,000 onlookers cheered him and collected 200 guineas for him.&#13;
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                <text>Autograph letter signed to Hiram Barney introducing Joseph Wright.</text>
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                <text>This letter came down to me through my family, which circuitously wends its way back to Joseph Wright directly and through marriages. Having done fundraising for various charities throughout my adult life, I was struck by the wordsmith Lincoln crafting concise sentences that asked Barney to help Wright raise funds to take objects to the World Fair in Hamburg, Germany. Wright was, at that time, the minister plenipotentiary to Prussia. Lincoln and Wright were friends, both having served as congressmen, Wright in the 28th Congress from 1843 to 1845 and Lincoln in the 29th. When I acquired this letter, it seemed lonely to me and I have subsequently added companion pieces from all the US presidents and vice presidents.&#13;
&#13;
Do spend a moment reacting as if you had received the letter from Lincoln. He is very persuasive in a most genteel manner. “I shall be glad if, by your acquaintance with the rich men, you can render him some assistance.”&#13;
&#13;
That this letter and other documents are available for private collectors is wonderful to me. I realize I am but a steward for a period of time and I hope that they will pass on to others at some time, providing future collectors with the pleasure of owning and appreciating these items.</text>
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                <text>Ted Wendell</text>
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                <text>Alex Raymond (Alexander Gillespie Raymond, 1909–1956) and Dashiell Hammett (1894–1961). </text>
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                <text>Original pen and ink drawing for a daily comic strip published on June 29, 1934, 5½ x 25 in.&#13;
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I have been interested in American comic strips since my childhood in France, when I read them (in French translation), and dreamt of becoming a cartoonist myself. When I came to America, I started clipping and collecting comic strips from New York newspapers and it is by reading these that I learned English. I eventually began collecting the original art of my favorite strips.&#13;
&#13;
This item is the original art for an early example of the comic strip Secret Agent X-9, which was launched by King Features Syndicate in January 1934. It was scripted by Dashiell Hammett and illustrated by my favorite comic strip artist, Alex Raymond, one of the most influential forces in this medium and creator of the more celebrated Flash Gordon. Numerous artists have named Alex Raymond as an inspiration for their work, and the director George Lucas has cited Raymond’s Flash Gordon as a major influence on his Star Wars films.</text>
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                <text>A selection of autograph letters signed, sent between 1890 and 1896, by Austin to Violet Maxse, later Lady Edward Cecil, and later still, Viscountess Milner. </text>
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                <text>An astonishing and somewhat inappropriate correspondence between a British poet laureate, writer, politician, polemicist, and gardener and an exceptionally beautiful aristocratic girl, beginning when Austin was 55 and Violet was 18. Austin, infatuated from the moment he met her, writes Violet ardent letters in a style he calls “arrested poetry,” in some cases advising her to destroy his letters (she did not). Many pages bear the stains and shadows of violets, which the author of “The Garden That I Love” had strewn through the letters. At other times Austin asks her to return manuscripts of his latest writings he had sent her to read (again, she did not). This selection is derived from a substantial archive (ca. 1,000 pages) of Austin’s letters and autograph drafts of plays and poems.&#13;
&#13;
Other remarkable men developed their own “cult” for Violet. These included Georges Clemenceau, Rudyard Kipling, Edward Burne-Jones and Cecil Rhodes. She married, firstly, Lord Edward Cecil, whose father, Lord Salisbury, as prime minister, appointed Austin poet laureate, and when Edward died, Viscount Milner, the secretary of war in the World War I war cabinet. (Violet’s only child died in that war.) Daphne du Maurier has described Violet as the “most formidable woman in England.”</text>
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                <text>Algernon Charles Swinburne (1837–1909). </text>
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                <text>Provenance: Noted bibliophile John Quinn. &#13;
&#13;
Poems and Ballads presents Swinburne’s most characteristic writing, rich with classical inspiration. Moxon published the book in July 1866, but soon suppressed it when reviewers assailed its sensuality. Hotten purchased Moxon’s stock, canceled the title-page, and issued the volumes with a new title-page bearing Hotten’s imprint, but still in the original green cloth binding with Moxon’s name on the spine and monogram on the front cover. The collector John Quinn (1870–1924), whose library was sold at Anderson Galleries in 1923–24, penciled in this copy: “This is the genuine Moxon Edn … a rarity.”&#13;
&#13;
As a student at Columbia I became interested in Swinburne. I bought this first edition especially for Quinn’s bookplate, with its evocative Irish scene by Jack Butler Yeats (initials among stones at right). But I soon discovered—as Quinn evidently did not realize—that the apparent Moxon title-page is a fake, with defective serifs and different line spacing, inserted to replace Hotten’s title. However, Hotten’s half-title was retained, thus letting the cat out of the bag, since Moxon had issued his volumes with no half-title.&#13;
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                <text>History of the Horn-Book, 2 vols.</text>
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                <text>&lt;p class="Body"&gt;Provenance&lt;strong&gt;: &lt;/strong&gt;Inscribed by the author, with A.N.S. to collector Robert White.&lt;/p&gt;
This was one of my first discoveries from a press whose books delighted me, and about which I could find almost no information. I was inspired to research their history and output, resulting in my book &lt;em&gt;Field &amp;amp; Tuer, the Leadenhall Press&lt;/em&gt; (Oak Knoll Press/British Library, 2010), as well as a large collection of books, ephemera, and correspondence. Andrew Tuer found and described 150 surviving hornbooks (an 1882 exhibition of all then known had managed to show only eight), and his study, though unsystematic, is still perhaps the best on the subject.</text>
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                <text>Matthew McL. Young</text>
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