<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://grolierclub.omeka.net/items/show/4191">
    <dcterms:title><![CDATA[The Secrets We Kept, a Novel]]></dcterms:title>
    <dcterms:description><![CDATA[The gilt-outlined blank star on the front of the dustjacket hints at the hidden treatment of the publisher’s case binding.  Instead of the expected three-part colored paper cover imitating a cloth spine with paper-covered boards, one is surprised to find a wintry Russian landscape suitable to the book’s theme of Boris Pasternak’s Doctor Zhivago. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Lara Prescott]]></dcterms:creator>
    <dcterms:source><![CDATA[Gift of Florence S. Fletcher, 2020. ]]></dcterms:source>
    <dcterms:publisher><![CDATA[Knopf]]></dcterms:publisher>
    <dcterms:date><![CDATA[2019]]></dcterms:date>
    <dcterms:format><![CDATA[https://live.staticflickr.com/65535/53312945370_f1aae0e763_z.jpg]]></dcterms:format>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[Cat. no. 8.2. ]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[New York]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://grolierclub.omeka.net/items/show/4185">
    <dcterms:title><![CDATA[The Pike’s Peak Rush; or Terry in the New Gold Fields]]></dcterms:title>
    <dcterms:description><![CDATA[The publisher’s cloth-covered case binding is in notably bright condition for a century-old book written for a young-adult audience.  It is accompanied by the brass binding die that produced the black-printed text and design elements on the front cover.]]></dcterms:description>
    <dcterms:creator><![CDATA[Edwin L. Sabin]]></dcterms:creator>
    <dcterms:source><![CDATA[Purchased in 2015 (binding die) &amp; 2019 (book).]]></dcterms:source>
    <dcterms:publisher><![CDATA[Crowell]]></dcterms:publisher>
    <dcterms:date><![CDATA[1917]]></dcterms:date>
    <dcterms:format><![CDATA[https://live.staticflickr.com/65535/53312471866_2800a30d77_z.jpg]]></dcterms:format>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[Cat. no. 7.4.]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[New York]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://grolierclub.omeka.net/items/show/4184">
    <dcterms:title><![CDATA[Paul Bonet]]></dcterms:title>
    <dcterms:description><![CDATA[This extensive survey of Bonet’s binding designs over the first quarter-century of his work, compiled by several of his supporters, is one of 50 copies with original material from his designs.  Bonet described this example as the very epitome of his “radiating” design, excellently executed by one of his principal gilders.]]></dcterms:description>
    <dcterms:creator><![CDATA[Paul Valéry, Paul Éluard, Renée Moutard-Uldry, Georges Blaizot, &amp; Louis-Marie Michon]]></dcterms:creator>
    <dcterms:source><![CDATA[Gift of Laura K. &amp; Valerian Lada-Mocarski, 1975.]]></dcterms:source>
    <dcterms:publisher><![CDATA[Auguste Blaizot]]></dcterms:publisher>
    <dcterms:date><![CDATA[1945 [but 1946]]]></dcterms:date>
    <dcterms:format><![CDATA[https://live.staticflickr.com/65535/53312471576_843aa57117_z.jpg]]></dcterms:format>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[Cat. no. 7.10.]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Paris]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://grolierclub.omeka.net/items/show/4182">
    <dcterms:title><![CDATA[Pasiphaé: Chant des Minos (les Crétois)]]></dcterms:title>
    <dcterms:description><![CDATA[Famous for its linoleum-cut illustrations by Matisse, this example is renowned for its pictorial Spanish binding by Santiago Brugalla.  It features sculptured elements within a Cretan/Minoan overall design, along with white lambswool doublures.]]></dcterms:description>
    <dcterms:creator><![CDATA[Henri de Monterlant]]></dcterms:creator>
    <dcterms:source><![CDATA[Gift of Jill Oriane Tarlow.]]></dcterms:source>
    <dcterms:publisher><![CDATA[Fabiani]]></dcterms:publisher>
    <dcterms:date><![CDATA[1944]]></dcterms:date>
    <dcterms:format><![CDATA[https://live.staticflickr.com/65535/53312712793_0b063eaf82_z.jpg]]></dcterms:format>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[Cat. no. 7.17.]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Paris]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://grolierclub.omeka.net/items/show/4188">
    <dcterms:title><![CDATA[Neo-Classik Comix: Adventures of 27th Street]]></dcterms:title>
    <dcterms:description><![CDATA[The horizontal or landscape-format binding of magenta goatskin features hologram-like red plastic “window” inserts spelling out the author’s name.  It was created in Paris by Georges Leroux in 1993. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Mark Beard]]></dcterms:creator>
    <dcterms:source><![CDATA[Gift of Jill Oriane Tarlow. ]]></dcterms:source>
    <dcterms:publisher><![CDATA[Vincent FitzPatrick]]></dcterms:publisher>
    <dcterms:date><![CDATA[1985]]></dcterms:date>
    <dcterms:format><![CDATA[https://live.staticflickr.com/65535/53312945600_e771b8b069_c.jpg]]></dcterms:format>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[Cat. no. 7.20. ]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[New York]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://grolierclub.omeka.net/items/show/4189">
    <dcterms:title><![CDATA[Mue]]></dcterms:title>
    <dcterms:description><![CDATA[These miniature books were bound in France by Sün Evrard in 2002.  In dark-blue and black calf, respectively, they feature Mme Evrard’s different styles of spatter and cut-out décor, the covers attached to the bookblocks with her characteristic gold fittings. ]]></dcterms:description>
    <dcterms:creator><![CDATA[PAB (Pierre-André Benoit)]]></dcterms:creator>
    <dcterms:source><![CDATA[Gifts of Neale M. Albert in memory of his daughter Deborah Beth Albert, 2010. ]]></dcterms:source>
    <dcterms:publisher><![CDATA[PAB]]></dcterms:publisher>
    <dcterms:date><![CDATA[1954]]></dcterms:date>
    <dcterms:format><![CDATA[https://live.staticflickr.com/65535/53312945500_938ac48b5a_z.jpg]]></dcterms:format>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[Cat. no. 8.1 a-b. ]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Alès]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://grolierclub.omeka.net/items/show/4181">
    <dcterms:title><![CDATA[Métropolitain. Livre d&#039;artiste]]></dcterms:title>
    <dcterms:description><![CDATA[The volume of author’s manuscript and artist’s collages was bound by Renaud Vernier and Claude Ribal in gray goatskin.  The polychrome design depicts elements of the Paris Métro beneath opened-up buildings depicted in the characteristic limestone of the City of Light.]]></dcterms:description>
    <dcterms:creator><![CDATA[Michel Butor &amp; Bertrand Dorny]]></dcterms:creator>
    <dcterms:source><![CDATA[Gift of Jill Oriane Tarlow, 1999.]]></dcterms:source>
    <dcterms:date><![CDATA[1985]]></dcterms:date>
    <dcterms:format><![CDATA[https://live.staticflickr.com/65535/53312945955_7c912d499e_z.jpg]]></dcterms:format>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[Cat. no. 7.18.]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Paris &amp; Nice]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://grolierclub.omeka.net/items/show/4180">
    <dcterms:title><![CDATA[Madman’s Drum: A Novel in Woodcuts]]></dcterms:title>
    <dcterms:description><![CDATA[These paired Art Deco bindings, in glazed black calf with white suede inlays representing lightning flashes, were created by Eliseo Tealdi in Florence in 1930.  They were commissioned by a young American student of art, Marjorie Sawyer Goodman (later, Graff), then resident in Florence.]]></dcterms:description>
    <dcterms:creator><![CDATA[Lynd Ward]]></dcterms:creator>
    <dcterms:source><![CDATA[Gift of Robert &amp; Marjorie Graff, 2008.]]></dcterms:source>
    <dcterms:publisher><![CDATA[ Cape &amp; Smith]]></dcterms:publisher>
    <dcterms:date><![CDATA[1930]]></dcterms:date>
    <dcterms:format><![CDATA[https://live.staticflickr.com/65535/53311602522_902cf161ee_z.jpg]]></dcterms:format>
    <dcterms:identifier><![CDATA[Cat. no. 7.7.]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[New York]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://grolierclub.omeka.net/items/show/4192">
    <dcterms:title><![CDATA[Ich bin nur Flamme: Gedichte des Expressionismus]]></dcterms:title>
    <dcterms:description><![CDATA[The author’s linoleum-cut illustrations in the book inspired the artist-bookbinder Ulrich Widmann to create this allusive binding at his studio in Freiburg im Breisgau in 2019.  It is dyed and painted in a free-form, self-contained polychrome design over gilt cuir-ciselé calf. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Svato Zapletal]]></dcterms:creator>
    <dcterms:source><![CDATA[Purchased on the Trust Fund of Lathrop Colgate Harper, 2020. ]]></dcterms:source>
    <dcterms:publisher><![CDATA[Svato Verlag]]></dcterms:publisher>
    <dcterms:date><![CDATA[1999]]></dcterms:date>
    <dcterms:format><![CDATA[https://live.staticflickr.com/65535/53312471311_d6db7527c3_z.jpg]]></dcterms:format>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[Cat. no. 8.3. ]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Hamburg]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://grolierclub.omeka.net/items/show/4179">
    <dcterms:title><![CDATA[Gods’ Man: A Novel in Woodcuts]]></dcterms:title>
    <dcterms:description><![CDATA[These paired Art Deco bindings, in glazed black calf with white suede inlays representing lightning flashes, were created by Eliseo Tealdi in Florence in 1930.  They were commissioned by a young American student of art, Marjorie Sawyer Goodman (later, Graff), then resident in Florence.]]></dcterms:description>
    <dcterms:creator><![CDATA[Lynd Ward]]></dcterms:creator>
    <dcterms:source><![CDATA[Gift of Robert &amp; Marjorie Graff, 2008.]]></dcterms:source>
    <dcterms:publisher><![CDATA[ Cape &amp; Smith]]></dcterms:publisher>
    <dcterms:date><![CDATA[1929]]></dcterms:date>
    <dcterms:format><![CDATA[https://live.staticflickr.com/65535/53311602477_2f2a35cfd9_z.jpg]]></dcterms:format>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[Cat. no. 7.7.]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[New York]]></dcterms:coverage>
</rdf:Description></rdf:RDF>