Skip to main content
Home
Exhibitions
Language, Decipherment, and Translation - From Then to Now
Judging a Book by Its Cover: Bookbindings from the Collections of the Grolier Club, 1470s-2020
Whodunit? Key Books in Detective Fiction
The Best-Read Army in the World
American Presidents: What They Read and What They Wrote
New Members Collect 2023
A Century of Dining Out
To Fight for the Poor With My Pen: Zoe Anderson Norris, Queen of Bohemia
Pattern and Flow: A Golden Age of American Decorated Paper, 1960s to 2000s
Animated Advertising: 200 Years of Promos, Premiums, and Pop-Ups
Building the Book from the Ancient World to the Present Day
Aubrey Beardsley, 150 Years Young
New Members Collect 2022
Travelers, Tracks and Tycoons: The Railroad in American Legend and Life
“Vittorio Sella And Wilfred Thesiger: Photographs at the Edge.” From The Collection of Roger Härtl
Sherlock Holmes in 221 Objects
The Daniel Press
Treasures from the Hispanic Society Library / Tesoros de la Biblioteca de la Hispanic Society
"The Great George": Cruikshank & London's Graphic Satirists (1800-1850)
New Members Collect 2021
100 Books Famous in Typography
Taming the Tongue
Magazines and the American Experience
The History of Plastic Surgery
Further Impressions
Stanley D. Scott Gift
New Members Collect 2020
Open/Set: Design Binding Today
Five Hundred Years of Women's Work
Poet of the Body
French Book Arts
A Conversation Larger Than the Universe
The Grolier Club Collects II
Aldus Manutius: A Legacy More Lasting Than Bronze
Strangers in a Strange Land
Lasting Impressions
Contact
Exhibition Opening: The Great George
Members' Exhibition Opening: “The Great George: Cruikshank & London's Graphic Humorists (1800-1850)"
from
The Grolier Club
on
Vimeo
.
← Some Account of Brother Robert, Robert Seymour, and a Few Members of London’s Younger Generation of Caricaturists
Exhibition Opening: The Great George
"The Great George": Cruikshank & London's Graphic Satirists (1800-1850)
18th Century Foundations of 19th Century English Satire
1800-1811: Young George’s Teachers; the Art of Collaboration
1811-1820: Young George as Political Satirist; Social Satire: Lottery Puffs; Monstrosities, and the Drama of Queen Caroline
1820-1836: “The Great George.” When Humorous Etching Was King
The Comic Almanack; the Misappropriation of Cruikshank’s Name and Work.
1836–1839: The Whirlwind Arrival of Mr. Dickens and the Launch of Bentley's Miscellany
1840-1855: The Arrival of Messrs. Punch and Leech; Ainsworth’s Historical Novels; Cruikshank’s Path to Abstinence
Some Account of Brother Robert, Robert Seymour, and a Few Members of London’s Younger Generation of Caricaturists
Exhibition Opening: The Great George
