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Grolier Club Exhibitions

Critic, Editor, Translator

Richard Aldington 
Literary Studies and Reviews 
London, George Allen and Unwin, 1923  
 
Includes reviews from The Times Literary Supplement, The Criterion, The Monthly ChapBook, The New Statesman, The English Review, The New York Post Literary Review and The Dial, illustrating the range of journals that Aldington was reviewing for. The table of contents illustrates the breadth of Aldington’s scholarship, particularly in French literature. 
Carlo Goldini, Richard Aldington (Translator) 
The Good-Humoured Ladies 
Introduction by Arthur Symons 
Illustrated by Ethelbert White 
London, Beaumont Press, 1922 
 
This was the 15th publication of Cyril Beaumont’s Beaumont Press and was limited to 475 numbered copies. This copy is one of six extra lettered copies for presentation, signed by Aldington, Symons White and Beaumont. This copy was presented to J. G. Wilson, proprietor of the influential London bookseller J. and E. Bumpus. 
Pierre Custot, Richard Aldington (Translator) 
Sturly 
London, Jonathan Cape, 1924 
 
T.E. Lawrence had initially been commissioned to undertake the translation of Sturly, but had been defeated by the French scientific names in the text. Lawrence did, however, write the blurb for Aldington’s translation. This appears to have been the first time that Aldington and Lawrence crossed paths, if only indirectly. The author, Pierre Custot, was so impressed with the translation that he apparently considered Aldington for a position with the Maritime Institute in Monaco. 
Voltaire and Frederick the Great 
Letters of Voltaire and Frederick the Great 
Translated and with an introduction by Richard Aldington 
London, George Routledge & Sons, 1927 
 
Aldington was engaged by Routledge to act as editor of The Broadway Library of XVIII Century French Literature. The series, which eventually comprised 19 volumes, also included translations by F.S. Flint, Brigit Patmore, Aldington’s companion, J.G. Fletcher, Raymond Mortimer, Ralph Partridge and C.K. Scott-Moncrieff, amongst others. Aldington contributed three further introductions to the series.  
Choderlos de Laclos 
Dangerous Acquaintances 
Translated and with an introduction by Richard Aldington 
London, George Routledge & Sons, 1924 
 
This volume was part of Routledge’s 51-volume Broadway Translations Series, to which Aldington contributed 6 translations. Aldington’s translation became the long-held standard. 
The dust jacket includes complimentary reviews of Aldington’s translation. 
D.H. Lawrence 
Apocalypse 
Introduction by Richard Aldington 
London, Martin Secker, 1932 
 
Apocalypse, a posthumous work of D.H. Lawrence, was first published by Aldington’s friend Gino Orioli as #6 in his Lungarno Series in a limited edition in 1931. 
Giovanni Boccaccio 
The Decameron of Giovanni Boccaccio (2 volumes) 
Translated by Richard Aldington 
Illustrated by Jean de Bosschère 
London, Putnam, 1933 
 
The edition, which was printed in the U.S., was limited to 2,500 copies, of which 500 were for England. Unusually for Aldington, this volume does not include an introduction by him. There are 20 colored and black and white illustrations by Jean de Bosschère (1878-1953), a Belgian writer and illustrator.  
Giovanni Boccaccio 
The Decameron of Giovanni Boccaccio (2 volumes) 
Translated by Richard Aldington 
Illustrated by Rockwell Kent 
Garden City, New York: Garden City Publishing, 1949 
 
This edition was limited to 1,500 numbered copies signed by Rockwell Kent and with 32 full-page color illustrations and numerous black and white section headers. There is a slipcase with a black and white engraving by Kent. Rockwell Kent also illustrated Aldington’s translation of Candide, and the dust jackets for the U.S. editions of All Men are Enemies and Very Heaven.  
Richard Aldington 
The Viking Book of Poetry of the English-Speaking World 
New York, Viking, 1941 
 
Aldington was commissioned in 1940 to prepare this substantial anthology, which Aldington intended to be less academic than The Oxford Book of English Verse, and to have a broader complement of medieval poets, Elizabethan lyricists and American poets.  The anthology was chosen as the Book of the Month by The Literary Guild of America. This copy is inscribed by Aldington to “Hal and Etta.”